KORG POLY 800 MODULE FULL
KORG POLY 800 MODULE FREE

Other manufacturers quickly realized the potential and came up with alternatives. Including my band at the time, since by the time it was 1987, I had scraped enough cash to buy a (second hand) Poly800 вЂ“ my first true synth, replacing a dodgy Yamaha home keyboardвЂ¦ IвЂ™m pretty convinced IвЂ™m one of the many people who learned the trade on a Poly800 вЂ“ and proud of it! I vividly remember a brochure picture with Rolling Stones keyboardist Chuck Leavell getting jiggy with a strapped-on Poly800 вЂ“ needless to say, I never wore a Poly800 anywhere outside my bedroomвЂ¦ДЇor a while, it appeared that any young band rehearsing at your local youth centre, student club or other watering hole had a Poly800. Best of all: it sounded great, silky and sweet and many of the presets appeared in hit records of the day.

So in 1984, they released the Poly800 for a stunning price of 795 USD: eight voices, a sleek keyboard with virtually no knobs, battery operated if you wanted it to be and even this new gadget called midi on board. Possibly, Korg might have realized that underneath that group there was more market potential for kids who were eager to step in the footsteps of their idols but who could not meet the 1000+ USD price tag that polysynths were still demanding at the time. Korg and Roland quickly released the Polysix and Juno 6 and 60 to fulfill the needs of most touring and studio musicians. Obviously, the true polyphonic pioneers such as the Prophet 5 and Oberheim OB-Xa were far out of the financial reach of most musicians, just as much as Rolands Jupiter 6 and 8. Even when groundbreaking hit albums by New Order, Depeche Mode or The Human League were mostly made with strings ensembles and monophonic synths, by 1983 broke, everybody wanted a polyphonic synth to sound вЂmodernвЂ™ and hipвЂ¦

KORG POLY 800 MODULE FULL

Really clean solid build, with trimmer access to cutoff and resonance range, and v/oct scaling.Mid-eighties cheap analog polysynths in comparisonД«y the time the eighties were in full swing, synth manufacturers realised that opportunities presented themselves for selling hot polyphonic synths to young teenagers who were aroused by the arrival of synth pop, hip hop and other new styles. I'm planning to make some videos (or at least audio demos) because it's such a cool and great-sounding filter that nobody seems to know about, but thought I'd share some photos to start. I just audio-rate FM'd it with some pulsar wavetable thing from the Disting w/ the filter in self-osc and it sounds super sweet. For some context, I have the Three Sisters and the G-Storm XaVCF, so this is a really nice variation - less beefy, but very surgical, and that super nice crisp raspy Korg resonance. 3 channels of DC-COUPLED INPUTS WITH BUILT-IN VCAS, 2 Cutoff CVs, one resonance CV, and a switch for 12db/24db/BP. Found the company page on Facebook, asked if they still made/had any, and the owner/designer Jakob said he had one ready to go, so I ordered it, and got it in the post today.Д«een playing with it for a couple of hours and it sounds FANTASTIC. I had been eyeing the G-Storm Electro Delta filter, and then came across this virtually unknown company and module that was exactly what I was looking for. So I searched on Modulargrid for Korg-type filters that wasn't the MS20. Besides that, I've always been a fan of old Korg filters.

KORG POLY 800 MODULE FREE

So, I was playing with a free VST emulation of the Korg Poly-800 last month that turned out to be really good, and I really liked the sound of its filter.

Korg poly 800 module